If our fascination with conspiracy is that it operates beyond our line of sight, “The Sullivanians” (June 20) is Alexander Stille’s addicting, compassionate account of how earnest societal questions about community were quietly warped in broad daylight, through an ugly Manhattan cult (once the largest in the country) that splintered families for decades. More solid ground is found in Kerry Howley’s “Bottoms Up and the Devil Laughs: A Journey Through the Deep State,” a pinballing, necessarily digressive road trip across a national security state that will “outlast the faith that built it,” told through not completely sympathetic portraits of whistleblowers. Chase it with “Under the Eye of Power” (July 11), Colin Dickey’s poignant argument on how belief in secret societies, from the KKK to QAnon, influences American democracy.
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“The Theory of Everything Else” (June 27), a spinoff of Dan Schreiber’s “No Such Thing as a Fish” podcast) is ideal for the distracted, full of absorbing histories of improbable beliefs (a 1952 prediction of Elon Musk, jinxed sports teams), as thoughtfully written as it is nuts. (William Morrow) I’m Not Paranoid, You AreĬonspiracy, real or fantasy, is the underrated genre, the go-to 2 a.m. "The Theory of Everything Else: A Voyage Into the World of the Weird" by Dan Schreiber. In this case, Fine paints 18th-century Venice, and the passions of Vivaldi’s prodigies, while making room (unlike “Black Swan”) for a gothic romance about a feverish adolescence. Same goes for Julia Fine’s ambitious “Maddalena and the Dark” (June 13): To say it reminds you of “Black Swan” is to say it captures a visceral, obsessive friendship between two young women in the throes of creating art.
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You can feel the Oscar-ready movie bubbling between the lines. The beauty of the book is how lightly it wears violence without ever completely removing it from the corner of your eyes. All of which was held tight for decades by his mother, whose post-traumatic stress went undiagnosed. In Luis Alberto Urrea’s “Good Night, Irene” - a summer sleeper hit if there ever was - the Chicago novelist tells a slightly autobiographical story culled from his mother, a Red Cross volunteer during World War II, and a resulting patchwork of memories: friendships, fleeting run-ins, explosions of surrealism, moral abandonment. (Little, Brown and Company) Read Locally, Think Globally
"Good Night, Irene" by Luis Alberto Urrea.
Time itself narrates, then the story slides, touchingly, through generations of women in a family nursing pain - but also shouldering an ability to time travel into their pasts. 1) only sounds corny if you have never read Edan Lepucki. 1) by David Connor, only that it sells the dual feelings of awe and loss in an America where the sun has vanished suddenly.
I’m not going to say much about “Oh God, the Sun Goes” (Aug. Picture Jack London, but with a more nuanced handling of broken, damaged men.
Then I read it, luxuriated in it, and I could not stop reading it. I giggled for a full year at the premise: A man is trapped in a whale and must find a way out. He has no collaborator here, and it should make him a star. He collaborated with George Romero on a “Living Dead” book, cowrote (with Guillermo Del Toro) the story that became “The Shape of Water.” But remember this title: “Whalefall” (Aug. Evanston’s Daniel Kraus is one of those bubbling-under authors.
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